Music Performance MMus

30 credits

This module is core for MMus Performance and is offered as an option for other level 7 Music programmes. The module will consider the musical preparation and performance from a psychological perspective. This will include the psychology of performance presentation and musical learning and the psychology of performance anxiety. Practical strategies for developing strong mental health in relation to both areas will also be considered and in particular relaxation techniques and neuro-linguistic programming, a form of mental and practical rehearsal, will be investigated. Critical evaluation of performance and performance practice will also be addressed through the aesthetic analysis of a range of performances on video and consideration of issues such as the meaning and authenticity of the performance will be undertaken. The presentation of the student as a performer will also be addressed through the development of a promotional strategy and a folio of promotional materials including both a website and social media presence.

30 credits

This module is core for MMus Performance and is offered as an option for other Level 7 Music programmes. The module will address the practical issues of preparing and delivering a musical performance. Individual lessons will provide expert tuition on the students' instrument. Practical workshops will provide feedback on a range of technical, interpretational and presentational issues and lectures will prepare students for the written elements. Assessment will be through a recital of 20 minutes duration, a portfolio of promotional and presentational materials for the recital and a critical self evaluation of the performance itself.

60 credits

This module supports the development of a major piece of research, or creative work, or performance which is focused on the subject of the student's programme of study. Therefore the nature of the project is chosen from the following: a dissertation; a folio of produced popular music compositions/covers; a folio of sonic arts work; a folio of compositions to moving image; a folio of compositions; or a performance. In the case of the creative work, students will also undertake related research which culminates in a paper or critical commentary to complement and support their creative work. The module is taught through a mixture of seminars and individual tutorials.

30 credits

Researching Music is designed to prepare students for their research and writing on the Music Masters' programmes. The teaching covers academic referencing, creating a bibliography, library skills, use of research on-line indices such as RILM, writing skills, and approaches to research. Later in the module research seminars will be given by Kingston and visiting researchers/composers/performers which provide opportunities for student discussion on a variety of issues in current music research. The module is assessed through a folio of written work including an extended annotated bibliography, an extended research paper and an online forum.

30 credits

This module gives you a deep and thorough understanding of the processes and techniques involved in recording and producing popular music. It will look at a range of recording techniques and provide you with the opportunity to gain fluency in operating a recording studio. The role of the producer in creating, developing, managing and presenting a recording project will be studied, and students will be equipped with the faculties to produce work that demonstrates creativity and is of a professional standard.

Topics covered will include microphone techniques, digital recording and editing techniques, advanced sequencing, mixing and mastering techniques, creating arrangements and communicating with artists and session musicians, investigating genre-specific production techniques, and analysing contemporary and historical recordings. You will also look at the relationship between the producer and the recording and media business. You will be trained to critically evaluate your own work and position it in the context of the wider music and media business environment. You will use these techniques and skills to create a portfolio of short recordings, accompanied by a commentary detailing the techniques employed, and to develop and present a recording project, with supporting documentation.

30 credits

The module is designed to give you a deep and thorough understanding of the processes and techniques involved in popular music composition, and to equip you with the faculties to produce work of a professional standard. You will learn compositional techniques applicable to a range of popular music genres and will employ these to enhance your own personal style and create a portfolio of compositions. The nature of the creative process, how collaborators (co-writers, band members) communicate with each other and with other artists, and how popular music terminology and notation is utilised will be discussed.  The position of the songwriter and popular music composer within contemporary society and the wider music and media business will also be examined.

This module will also explore strategies behind the manufacture, marketing, distribution and sale of popular music from a global perspective. You will examine music industry models in an historical context, exploring how practices are evolving through the advent of digital technology. You will explore the factors driving this change with critical appraisal of methods used. Topics covered will include the structure of major and independent record labels, management strategies, identifying a target audience, publicity and marketing within different territories, financing, choice of formats, music video, new media, the live industry, going it alone and the value of popular music as a commodity. You will be assessed on a portfolio of work including a project that demonstrates the marketing and promotion of one of their popular music compositions.

30 credits

This module examines the diversity of practice associated with school-based music provision in the UK maintained sector and associated research. Current positions concerning universal entitlement to the subject will be explored and traced back to influential antecedents. You will formulate a critical response to course themes by designing a short investigation exploring the complex transactional character of pedagogy which typifies music lessons across the UK. It will be located in a school if possible, supported by DBS checking (and if necessary, ethics clearance),  or alternatively, will be based on student peer teaching.

30 credits

The module is core for MA Music Education and is offered as an option for the MA Music and other MMus programmes.  The module will consider the psychological processes that underpin musical understanding; interpersonal communication; the social construction of meaning and how such processes contribute to the educational philosophies of world cultures. There will be opportunities to investigate the philosophies and practices in music education in a variety of cultural and international contexts including the UK and those of the students themselves.

30 credits

This module deals in depth with the subject of composition for film and television. Students explore, through lectures and seminars, the essential technology and techniques that composers for Film and Television need to master. Subjects covered include the use of Main Themes, underscoring and the harmonic languages of soundtracks, in both big and small screen contexts.  Coursework consists of several compositions to image, chosen to encourage musical diversity and exploration of compositional styles, together with a written commentary.

30 credits

The module allows the student to develop further understanding of a range of professional roles undertaken by media composers. Students will develop their knowledge and understanding of instrumentation and orchestration alongside practical aspects of the business working as a media composer. They will learn traditional and contemporary techniques of writing for instruments and apply those when working with both real and virtual instruments. They will compose music to picture scored for a small ensemble which will be recorded in the Visconti studio. Students will also be required to engage in post-production mastering and mixing, to achieve a fully professional result. Module content also includes in-depth study of real-world aspects of composition, production and exploitation of music in the media. The assignments set reflect these areas of study – from developing musical ideas and producing a detailed score, to dealing with project management, copyright and budget issues.