Dr Maggie Gray
Faculties, deparments and locations
- Kingston School of Art
- Department of Critical and Historical Studies
- School of Creative and Cultural Industries
Senior Lecturer in Critical and Historical Studies (Illustration Animation)
- Email:
- m.gray@kingston.ac.uk
About
I teach and research the history and theory of illustration and animation with a specialism in comics, cartooning, and visual narrative.
My research has been published in peer-reviewed journals and academic books in the fields of Comics Studies and Art & Design History, as well as general-audience publications.
I am active in the Comics Studies community and sit on the organising committee of the Comics Forum conference, part of the Thought Bubble festival, and the editorial board of the journal Studies in Comics. I'm a member of the Comics & Performance Network and an associate member of the UAL Comics Research Hub (CoRH!!). I've taught the history of art and design, aesthetics, cultural and contextual studies as an Associate Lecturer at Middlesex University, London College of Communication, Central St. Martins, and University College London.
With Nick White and John Miers, I co-run the Kingston School of Art Comic Club, ksacomicclub.tumblr.com
I'm interested in supervising PhDs in the fields of Comics Studies and Illustration, both practice-based or theory-based. Please get in touch if you'd like to discuss your research.
Qualifications
- PhD History of Art, University College London
- MA History of Art, University College London
- BA History of Art and English & Related Literature, University of York
- Fellowship of the Higher Education Academy
Domains
As a teacher I'm interested in active and collaborative inquiry-based learning and critical pedagogy. I am learning and working with students and colleagues on the decolonisation of art & design history (while wary of the cooption and limitations of this process within the neoliberal university).
Courses taught
My research area is comics and cartooning, with a particular interest in the politics of image-making, the social conditions of creative labour, and the materiality of cultural production and consumption.
My work so far has focused on the history of British comics and its relationship to cultures of resistance and political dissent. My PhD research looked at the work of Alan Moore from 1971- 1989 in relation to theories of mass culture and cultural resistance from Critical Theory and Cultural Studies. Subsequently I became more and more interested in Moore's earliest work as a cartoonist and how that sat within his wider creative practice as an illustrator, performer, poet and musician, and the larger context of the design, media and politics of the hippie and punk undergrounds.
I am particularly interested in the performative aspects of comics and cartooning, as a mode of drawing and storytelling, and the politics of performance thereby invoked. My current research looks at the relationships between the alternative comics and alternative theatre movements in the UK 1968-1992, as supported by the shared infrastructure of community arts and the alternative press, and what approaches to performance labelled 'cartoon theatre' or 'comic strip theatre' might tell us about cartooning and comics.
Specialisms
- underground comics
- alternative comics
- cartooning
- performance
- cultural resistance
Publications
Seeing comics through Art History : alternative approaches to the form
(2022). (Palgrave Macmillan)
Art history for comics : past, present and potential futures
Horton, Ian and Gray, Margaret (2022). London, U.K.: (Palgrave Macmillan)
Alan Moore, out from the underground : cartooning, performance and dissent
Gray, Maggie (2017). New York, U.S.: (Palgrave Macmillan)
UK Underground Comix: Ar:Zak, the Birmingham Arts Lab, and Streetcomix #4
Gray, Maggie, 2020, Confessions of an Aca-fan
Book Review of: 'The expanding art of comics : ten modern masterpieces' by Thierry Groensteen, translated by Ann Miller
Gray, Margaret, 2019, European Comic Art (12), 1, pp 111-116
Popular
Gray, Maggie, 2019, Kunst und Politik : Jahrbuch der Guernica-Gesellschaft (21), pp 131-139
Airing Alan Moore's shorts (Conclusion)
Gray, Maggie, 2012, Comics Forum
Rummaging around in Alan Moore's shorts (Introduction)
Gray, Maggie, 2012, Comics Forum
Reviews : Alan Moore Storyteller
Gray, Maggie, 2011, Studies in Comics (2), 1, pp 228-232
Alan Moore’s underground : The formation of a dissident cultural practice
Gray, Maggie, 2011, Studies in Comics (2), 1, pp 21-37
‘A fistful of dead roses…’. Comics as cultural resistance : Alan Moore and David Lloyd's V for Vendetta
Gray, Maggie, 2010, Journal of Graphic Novels and Comics (1), 1, pp 31-49
Book review of 'Alan Moore : Comics as Performance, Fiction as Scalpel' by Annalisa Di Liddo
Gray, Maggie, 2010, Studies in Comics (1), 1, pp 176-178
Ways of seeing comics: art-historical approaches to the form
Gray, Maggie and Horton, Ian (2022). In: Gray, Maggie, (eds.) and Horton, Ian, (eds.), Seeing comics through art history: Alternative approaches to the form.. Cham, Switzerland: Palgrave Macmillan, pp 1-9
The freedom of the press : comics, labor and value in the Birmingham Arts Lab
Gray, Maggie (2020). In: Giddens, Thom, (ed.), Critical directions in comics studies. University Press of Mississippi
The risks of representation : making gender and violence visible in 'The Ballad of Halo Jones'
Gray, Maggie (2020). In: Mickwitz, Nina, (eds.), Horton, Ian, (eds.) and Hague, Ian, (eds.), Representing acts of violence in comics. Abingdon, U.K.: Routledge, pp 139-158
A Gothic politics: Alan Moore's Swamp Thing and radical ecology
Gray, Maggie (2013). In: Green, Matthew J A, (ed.), Alan Moore and the Gothic tradition. Manchester, U.K.: Manchester University Press, pp 42-62
Alan Moore
Gray, Maggie (2013). In: Smith, Matthew J, (eds.) and Duncan, Randy, (eds.), Icons of the American comic book: from Captain America to Wonder Woman. Santa Barbara, USA.: Greenwood, pp 531-544
Saga of the Swamp Thing
Gray, Margaret (2011). In: Gravett, Paul, (ed.), 1001 Comics You Must Read Before You Die. Universe Publishing, pp 467
’The fantasy bribe’ : comics and punk
Gray, Maggie (2009). In: Schneider, Norbert, (ed.), Bildwissenschaft und Visual Culture Studies in der Diskussion [Bildwissenschaft and Visual Culture Studies in Conversation]. Göttingen, Germany:, pp 63-67
Art history for comics: past, present and potential futures
Gray, Maggie and Horton, Ian(2021). In: Comics|Histories Conference, 16 - 17 July 2021 :Held online
Dismantling the single story : (how) can we decolonise illustration history?
Gray, Maggie, Metwally, Calico and Moffat, Cameron(2021). In: Illustration Research Symposium, 11 - 12 Feb 2021 :Kingston upon Thames, U.K. (Held online)
Cartooning and performance: 'cartoon style' alternative theatre
Gray, Maggie(2020). In: Cartoon Animation: Satire and Subversion, 17 Feb 2020 :Farnham, Surrey
“Talk to me in a language I can understand”: constructing cartoon storyworlds in alternative theatre
Gray, Margaret(2019). In: Joint International Conference of Graphic Novels, Comics and Bande Dessinées, 24th - 28th June 2019 :Manchester Metropolitan University
Performing form and playing in print: comics in Oxford’s other paper
Gray, Margaret(2019). In: Oxford Comics Network, 05 Feb 2019 :Oxford, U.K.
Drawing attention to drawing, performing print : Alan Moore, underground cartoonist
Gray, Maggie(2018). In: Drawing Yourself In and Out of It : The 2nd International Amsterdam Comics Conference, 15 - 17 Nov 2018 :Amsterdam, The Netherlands
Putting reality into the hands of people : a comics materialism
Gray, Maggie(2018). In: Transitions 8 : New Directions in Comics Studies, 10 Nov 2018 :London, U.K.
The sound of the underground : Alan Moore, cartooning and music
Gray, Margaret(2018). In: Graphic Brighton : Music and Comics, 19 - 20 Jul 2018 :Brighton, U.K.
Alan Moore : original cartoonist
Gray, Margaret(2018). In: The original writer : reading Alan Moore, 17 Mar 2018 :London, U.K.
The freedom of the press : comics production and the Birmingham Arts Lab
Gray, Maggie(2017). In: Comics and Critique : Invigorating Critical Study of the Medium, 03 Jul 2017 :Twickenham, U.K.
Alan Moore, comics and music
Gray, Maggie(2017). In: The Eighth International Graphic Novel and Comics Conference part of the Joint International Conference of Graphic Novels, Bandes Dessinées and Comics 2017 : Borders : Identity, Difference and Representation, 26-30 Jun 2017 :Dundee, U.K.
Plenary
Sabin, Roger, Round, Julia, Gray, Maggie and Gravett, Paul(2016). In: Transitions 7 : New Directions in Comics Studies 2016, 19 Nov 2016 :London, U.K.
A Gothic politics : Alan Moore's 'Swamp Thing' and radical ecology
Gray, Maggie(2012). In: Contemporary Fiction Research Seminar, 30 Jun 2012 :London, U.K.
‘Nothing but flat, dead wood?’ Comics and ecocriticism
Gray, Maggie(2010). In: Transitions : New Directions in Comics Studies, 05 Nov 2010 :London, U.K.
Hanging out with Halo Jones – the first feminist comics heroine?
Gray, Maggie(2010). In: Comics Forum 2010 : Women in Comics II, 18 Nov 2010 :Leeds, U.K.
Heroes
Gray, Maggie(2010). In: Bright Club : The Thinking Person's Variety Night : Heroes, 14 Jun 2010 :London, U.K.
Seriously into Comics
Gray, Maggie(2009). In: Thought Bubble Comics Festival, 19-22 Nov 2009 :Saviles Hall, Leeds
‘The Fantasy Bribe’ comics, punk and the perfect product
Gray, Maggie(2008). In: Marxism in Culture, 2008 :Institute of Historical Research, London
'All comics are political' Comics as cultural resistance : Alan Moore's 'V for Vendetta'
Gray, Maggie(2007). In: "The Aesthetics of Trash" : Reassessing Animation and the Comic, 28-29 Aug 2007 :Manchester, U.K.
The Quest for Cultural Legitimacy: Comics in the Gallery
Gray, Maggie(2007). In: Location: Museum, Academy, Studio, 34th Annual Conference of the Association of Art Historians, 2007 :London, U.K.