As an undergraduate I studied Fine Art at Bath Academy of Art, before going on to study for an MA and then a PhD in Cultural Studies at the University of Birmingham.
For many years I lectured on a wide ranges of art, design and media courses, specialising in Visual Culture, and have taught at all levels including PGR.
My academic career has included the management of the Department of Art & Design and subsequently the Department of Creative Industries at UWE Bristol, and External Examiner and validation panel duties at numerous UK universities.
In 2012 I was elected to the CHEAD executive, and was appointed as Associate Dean (Education) at Kingston School of Art in 2013. In 2015 I joined the Creative Industries Federation's HE Working Group, achieved PFHEA status in 2017, became an NTFS reviewer in 2019, and a Fellow of the RSA in 2020. In 2021 I joined the UKAT (UK Advising and Tutoring) Advisory Board, and the Women's Higher Education Network.
I am committed to widening access and participation, and to driving innovation in Higher Education, to ensure that it meets the changing needs of increasingly diverse students, through the development of inclusive practices in learning and teaching, co-created curricula, embedding equality, diversity and inclusion in the curriculum, and the provision of more flexible and diverse ways of learning.
As Associate Dean at Kingston School of Art my key achievements are:
- Sustained improvement in subject league table positioning
- Embedding professional skills in the curriculum
- Continuous improvement in NSS results
- Continuous improvements in course quality (including the reduction of award gaps) and graduate outcomes
- Initiation of BME Alumni Advisory Group
- Review of University-wide Personal Tutor Scheme
Associate Dean Education
Reflections on student engagement, from the perspective of understanding students as consumers who will drive innovation in higher education, if we develop inclusive practices which enable them to co-create their own personalised learning experiences, as part of the their ongoing identity-development, and as designers of their own futures.
Social media