This project explores the portrayal of villainy in fairy-tale narratives, starting in the Victorian Era and moving into the contemporary. I argue that villainy in fairy-tale retellings, reworkings, and adaptations has been used to reflect upon socio-cultural anxieties about the Other, functioning as an index of cultural shifts. In these specific fairy-tale contexts, the villain is identified as associated with a range of issues including orientalism, hyper-masculinity, and female sexuality. Villains therefore emerges as shifting amorphous signifiers, whose role in the narrative is no longer confined to being the foil to the hero, but instead exist for themselves as a subject of interpretive significance. My thesis is articulated via three tales—Bluebeard, Little Red Riding Hood, and Sleeping Beauty—which act as case studies; it is my hope that this project may serve as a template for future scholarly work so that my findings may be applied to other fairy tales, their villains, and their adaptations.
I obtained my BA in English Literature with Drama from Kingston University London, where I have returned to complete my doctoral degree. It is my greatest aspiration to work in Higher Education and I have always been interested in language and philology, aspects that led me to the study of folklore and fairy tales. I pursued my interests at the Universita' degli Studi di Padova first, then at Kingston and subsequently at the University of Nottingham, where I completed my MA in Viking and Anglo-Saxon Studies.
Storti, Silvia E., 'The Better to Eat You With: The Anthropophagy Plots of Fairy Tales'. In: Champion, Giulia (ed). Interdisciplinary Essays on Cannibalism: Bites Here and There (New York: Routledge, 2021).
—, ‘The Horror of Beauty in Contemporary Fairy TalesAdaptations'. In: Fantasy Art and Studies, Volume 12 (2022), pp. 103-113.