Working electric milk floats in England have stood the test of time to come back into fashion and have renewed relevance due to environmental concerns and the growth in the use of electric vehicles. Electric milk floats were first introduced during the 1930s, but the majority came into service after the Second World War. The term 'float' describes a flatbed trade vehicle. Because they were a common sight on Britain's roads from the 1940s until the 1990s (Gray, 2023), they are largely culturally associated with the extended 20th century post-war period. The research project was undertaken in collaborative partnerships with four independent and one corporate dairy, which, at the time, had working electric milk floats and The Transport Museum Wythall.
Maxine Beuret is a creative cultural historian of the commonplace. She is drawn to unchanged places and objects that may be in danger of disappearing with no record of their tangible and intangible cultural heritage. Combining archival research with creative ethnographic exploration in partnership, she creates multidimensional data that simultaneously discovers and enables her to depict cultural heritage to share research outcomes with wider audiences. Two of her projects, 'Departure of the Slam-door Trains' and 'Familiar Interiors of Leicester', are part of permanent museum collections. She is the chairperson of Creative Oral History, a special interest group within the Oral History Society, and is currently studying for her PhD at Kingston University School of Art, looking at the Cultural Heritage of working electric milk floats in partnership with several dairies and the Transport Museum Wythall, who has the biggest collection of milk floats in the world.