Posted Thursday 14 June 2012
Among the work on display was Imogen Hedges' un-knitting machine. Her starting point for the project was the discovery that some charity shops devoted hours to unravelling home-made jumpers. "They can make more money out of selling the wool than they can from the sweaters," the 22-year-old product and furniture design student explained.
The machine is based on pedal power and built around an old bicycle frame. The un-knitter sits on a chair pedalling and wool passes through steam coming out of a kettle before being collected on a spindle. "My grandmother spent the whole time knitting sweaters but my mum threw them all away once we'd grown out of them because she didn't think anyone would want them. With my machine you'd be able to take them apart and knit something new," Imogen, from Milton Keynes, said.
Of course, the wool collected in the un-knitting machine doesn't have to be used to make garments. Kingston University graphic design student Aaron Merrigan produced a tapestry tribute to Ceefax - the BBC's text news service, which will come to an end later this year when the switch from analogue to digital television is complete.
"For 38 years, the BBC Ceefax pages provided the nation with a constant stream of reliable, accessible and dedicated news," Aaron, 22, from Grays in Essex, said. His metre-wide exhibit replicated a traditional television screen displaying Ceefax, incorporating black, white, yellow, cyan, green, magenta, red and blue wools.
"Activated charcoal is already widely used for purifying the water in fish tanks or animals' feeding bowls and it can absorb the odours from a piece of clothing even if it's held a metre away from it," the 24 year old said. "Today we wash our clothes much more than we need to and it harms both the garments and the planet. A worn item very often doesn't need to be cleaned, but merely freshened up."
Lisa produced a set of five circular holders, each containing granules of charcoal, from which clothes can be hung. "I've covered the rings in flocked velvet, to give them a touch of luxury and prevent the clothes falling off," she said. "I wanted them to be an attractive feature that people would be proud to have in their homes."
Meanwhile, all Kingston's architecture, landscape and interior design students focused on the idea of legacy, which is central to the Olympic and Paralympic Games. "Their projects, set across the capital's host boroughs, considered not only the immediate and future possibilities and consequences of the Games themselves, but also the culture, values and history of London's East End and the people who live and work there," head of school Daniel Rosbottom explained.
Hundreds of people went through the doors of the show, which ran until June 22. "I believe the work demonstrated the very special character of art, design and architecture at Kingston University," acting dean of the faculty Dr Trevor Keeble said. "Our students displayed a readiness to use their creativity, innovation and skill to question, shape and improve the world around them, wherever they might find themselves in the future."
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