Posted Thursday 22 October 2009
Many of the privately-owned works are now on show for the first time in the United Kingdom. The art works form part of Terra Incognita: Italy's Ceramic Revival, an exhibition at the Estorick in Islington, London, which runs until December. Both the exhibition and the book question the current view of 20th Century Italian design history and call for debate so that the artists' work can be recognised. They were developed out of Dr Hockemeyer's PhD thesis, which she undertook at the Visual and Material Culture Research Centre at Kingston University, supervised by design historian Professor Penny Sparke and art historian Professor Fran Lloyd, as the work crossed both fields.
Persuading her father to loan some of his treasured art works to the exhibition wasn't easy. 'My father is not a collector who likes his art works to leave the house," Dr Hockemeyer said. "He's an old-style collector who buys pieces simply because he loves to look at them. It took nine years, a PhD and a book to persuade him to allow the objects to be exhibited." Terra Incognita features 50 pieces - sculptures, vases, panels and plates - showing a revolutionary approach to clay as an artistic medium, not purely a functional one. It includes work by Lega, plus sculptors Arturo Martini, Marino Marini, Lucio Fontana, Fausto Melotti, Leoncillo Leonardi, Giuseppe Spagnulo; painters Roberto Crippa, Gianni Dova and Emilio Scanavino; and ceramic masters Pietro Melandri, Guido Gambone, Marcello Fantoni, Pompeo Pianezzola and Carlo Zauli.
"Dr Hockemeyer's work with us at Kingston University brought to light a huge number of stunning, previously unacknowledged objects, a vast amount of new material with which to interpret them, and a truly distinctive approach to thinking about the important interface between art, craft and design," Professor Penny Sparke, Pro-Vice Chancellor for Research, said. "We are delighted that her study has led to such an exciting outcome."
Dr Hockemeyer, who now lives in Milan, praised the strong research culture at Kingston University's Faculty of Art, Design and Architecture. "I hope my new insights will spark a debate about the place that these artworks have in the history of 20th century Italian art, craft and design," Dr Hockemeyer said.
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