Posted Thursday 3 February 2022
Fashion collections from Kingston School of Art’s MA graduates have been unveiled in an innovative and striking new film that acts as an alternative to the traditional catwalk show.
The film was produced in response to the changing graduate fashion climate, Richard Sorger, course leader for MA Fashion, explained. “Graduate runway shows are becoming less common and harder to achieve owing to the ongoing challenges of Covid-19,” he said.
“We saw this as an opportunity to produce something far more spontaneous and creative than a traditional catwalk which can often feel quite static and repetitive. Working with an external stylist and filmmaker, we were able to achieve something that has its own distinctive high-end style and is ahead of the curve, which are two characteristics we emphasise in our teaching on the course,” he added.
The course team, part of the Design School at Kingston School of Art, collaborated with stylist and creative director Emily Evans who has worked with well-known brands including Jimmy Choo and Gucci. She helped the team cast the models, as well as directing and styling them throughout the production process. “We needed the models to have big personalities, to be comfortable moving in front of the camera,” she explained. “We gave them the freedom to interact with the clothes, to show the magic that happens when people try on clothes and how this makes them feel.”
It also acknowledges the challenges of the Covid-19 pandemic portrayed through an emotive scene featuring two models warmly embracing.
“I wanted there to be an element of kindness and community, as a reminder of the challenges young people faced and how they came together to support one another,” stylist and creative director Emily Evans explained.
Kingston University alumnus turned cinematographer, Monika Davies, worked on the shooting of the film which was carried out in the University’s studios over a four-day period, assisted by students from the filmmaking course. She explained that she experimented with clear plastic sheets made up of plexiglass and PVC (Polyvinyl Chloride) to bounce light and create coloured shapes that contrast with the clothes.
“I wanted to make pieces that could help elevate the wearer’s mood and boost their confidence. They can style them in different ways, but the idea is that the garments give people that pick-me-up they need when feeling down,” Ashnah, from India, explained.
Another student who looked at how clothing can evoke different feelings is Sambi Ibanichuka, whose gender-neutral collection was inspired by her personal identity and memories of growing up in Shoreditch, East London, where street art was prevalent.
The film’s collaborative nature and creative styling have shown an innovative new direction for showcasing graduate fashion, setting the standard for other higher education institutions, Richard Sorger said. “I’m really proud of the film and everything we’ve achieved as a team. This new way of presenting can help inspire others in the industry to think outside the box and break down conventions but, most of all, I hope it acts as a launchpad for our talented class of 2021,” he added.
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